For Youth and Adults

Age
 
Animal Farm
Grand Stage LGL
Length 80 min
George Orwell, Andrej Rozman Roza
Director: Vito Taufer
Puppet performance
Is a positive utopia possible at all? What is it that we are to offer to our youth as an alternative, if just any system can degenerate into its own version of totalitarianism? Should we offer them a ready made system or is it better to impart values to them and just keep warning them of the possible mistakes?
Kritike
At the Still Point of the Turning World
Stara mestna elektrarna - Elektro Ljubljana
LGL, TJP Centre Dramatique National d’Alsace Strasbourg and TNG – Centre Dramatique National de Lyon (France)
Director: Renaud Herbin
A Marionette Performance
At the Still Point of the Turning World is a second part of the diptych, signed by French stage director Renaud Herbin and presented in a Slovenian-French co-production with the TJP – Centre Dramatique National d’Alsace from Strasbourg. Its first part, Open the Owl, places the heritage of Klemenčič's miniature marionettes within the context of contemporary performance practices. The new staging, additionally exposing the expressiveness of the throng of marionettes, explores the feeling of spaciousness, offered by a vast theatre stage.
Kritike
Brainstorm, foto Matej Povše
Stage Under the Stars
Length 75 min
Ned Glasier, Emily Lim and Company Three
Brainstorm  12+
Director: Primož Ekart
Theatre adventure
Director Primož Ekart based the theatre adventure Brainstorm on the eponymous dramatic text by Ned Glaiser and Emily Lim. The original text was conceived by the London Production Company Three in collaboration with thirteen teenage actors. Its idea stemmed from the latest scientific discoveries in neuroscience or rather findings how the brain function in adolescent years differs from that in adult years. There are apparently 86 billion of neurons triggering a wide range of daily changes during this fragile period of development, enabling at the same time an explosion of youthful creativity, boldness, excitement and courage.
Kritike
Doctor Faustus
Grajsko gledališče
Length 60 min
Milan Klemenčič, based on 18th Century motifs
Director: Jelena Sitar
Puppetheque performance
The tale of a scholar who sold his soul to the devil has been inspiring European art for centuries. Today, the most famous reworking of the motif is considered to be the German legend based on Dr Johannes Faust, a historical figure from the early 16th century, whose life grew into a folk legend through German oral tradition, becoming the subject of countless retellings and interpretations. Milan Klemenčič adapted the Leipzig version of the puppet play and staged it in 1938 in his own Miniature Puppets Theatre. Get into the spirit of the great master and enjoy a puppetry masterpiece, which was revived by Ljubljana Puppet Theatre in 1982.
Kritike
In the back of Time
Tunnel LGL
Length 35 min
Meta Grgurevič, Urša Vidic
Multimedia show
This multi-media spatial installation of moving images, structures, music, light and performance, entitled as In the Back of Time, was conceived based on the motifs from the novel To the Lighthouse by Virginia Woolf, in a close collaboration between a range of renowned artists from various fields of contemporary art. Quite unusually, we will enter instead of a regular auditorium, a tunnel, or the Lutkovno gledališče Ljubljana backstage, extending as far as the castle hill. We will be led through this spatial installation by music, words and sounds that will capture the story's atmosphere and thus shed light on its process of creation, intimate relations within a family and the dimension of time. in Slovene and English
Kritike
Little Queens, foto Mankica Kranjec
Stage Under the Stars
Length 75 min
Eva Mahkovic
Director: Jaša Koceli
Dramatic performance
Cecilia is promiscuous, liberal and pregnant. Eli is ugly; she has bad skin, bad hair, bad body, quite bad clothes and bad marks. Regina is a queen, the most beautiful, the most successful and the most clever among the three of them; she has long hair, her mummy bought her a pair of Prada trousers in the Barberino Outlet, and when she passes her international A levels, she will enrol in the International Business School in Maastricht. Cecilia has a sister, Tara, and Regina has a sister, Alma, who are both around thirty years old; they represent their adulthood, the possible future, in short, the reality. Tara has children. Alma likes to think that she has a career. They used to belong to the now broken up girl gang One More Time.
Kritike
Monkeys
Stage Under the Stars
Length 45 min
Amit Drori
LGL, Hazira – Performance Art Arena, Jeruzalem (Israel), TJP CDN d’Alsace and Theatre Garonne, Toulouse (France). // In cooperation with Maison de la Marionnette, Tournai (Belgium), Israel Festival, Jerusalem and Fest Factory, Bat Yam (Israel)
Robotic rituals
Monkeys, performed by people and machines, will be a journey into the reality of a group of exotic robotic monkeys. These beings, designed to the last detail, live in a mechanical universe erasing the distinctions between human beings and machines, between the “living” and the “dead”. As if not being aware of the outside world, the monkeys live in their perfect, artificial microcosm. In this complicated common world, various species of monkeys make love, give birth and die. They worship their god and play. They are cruel to each other, but also caring. Robotic monkeys were made to arouse in us a feeling of a deep identification, on the one hand, and trigger a reflection on how they differ from human beings and their “thoughts”, on the other. This wandering between compassion and distance creates the stage reality of contradictions and emotional tension.
Kritike
Nellie Goodbye, foto: Mankica Kranjec
Stage Under the Stars
Length 90 min
Lutz Hübner
Director: Jaša Koceli
Dramatic performance
The performance Nellie Goodbye is a glimpse behind the curtain, revealing a creative collective, which invites the audience to be present at its band's rehearsals. It is a story about a torn, obstinate and individualistic generation, which although desperately trying to create together, keeps stumbling either into its own barriers or the ones brought about by fate, into which it is stuck. A disease thwarts the youthful plans, forcing the members of the band to reconsider their decisions.
Kritike
Once We Got Lost, foto: Miha Fras
Stage Under the Stars
Length 70 min
Lotte Faarup
Director: Anja Suša
Dramatic performance
Once We Got Lost is an astonishing, poetical and touching story about growing up far too quickly, written by the Danish playwright and stage director Lotte Faarup. It is a story about two children, who try to save their parents’ marriage and eventually get lost in the chaos of the grownups’ quarrels. The drama features a divorce as seen through children’s eyes, discussing freely, frankly and vividly what is actually happening behind the doors of the children’s room, when a war between the separated parents in raging in front of them, when the family idyll is replaced by jealousy, hidden aggression, fury and despair. Suddenly faced with a world that turns upside down, the two children (brother and sister) deal with their losses and stormy feelings in their own way.
Kritike
Open the Owl
Stage Under the Stars
Length 50 min
Franz Pocci, Célia Houdart
Ljubljana Puppet Theatre, TJP – Centre Dramatique National d’Alsace, Strasbourg (France)
Director: Renaud Herbin
Intermedia interpretation of The Castle of Owls (1936)
The performance Open the Owl brings back to stage the miniature characters from the performance Sovji grad (The Owl Castle), created by Slovenian puppeteer Milan Klemenčič back in 1936. (french subtitles)
Kritike
Requiem for The Future, foto Nada Žgank
Stage Under the Stars
Length 60 min
Maja Smrekar
Hybrid performance
The project Requiem for The Future, conceived by an interdisciplinary artist Maja Smrekar, will be presented as an experiment/performance, in which the human body is substituted by animals and machines. The pivotal question tackled within it will be: What is a machine as artificial intelligence and how can we build a dialogue between the animal and artificial intelligence? The link between the technology and nature will be established through animation. It has been several years now since the author started exploring the work with dogs on an empirical level, using elements of modern technology. She is particularly interested in creating spatial choreography, mainly performed by dogs and robots (what she actually deals with are synergic transitions between anthropomorphic, technomorphic and zoomorphic – the associations, which are evoked by puppets as well).
Kritike
The Master and Margarita, foto Jaka Varmuž
LGL - MOJSTER IN MARGARETA
Length 180 min
Based on the motifs of The Master and Margarita by M. A. Bulgakov
Intermedia omnibus
The production of The Master and Margarita, divided between an interactive journey, visual installations and an object theatre - The Devilish Triptych, directed by Matija Solce and a theatre gospel Margareta, directed by Mirjana Medojević, is designed for adult viewers.
Kritike
The Right to be a Human, Illustration: Lea Zupančič
Director: Mare Bulc
A Theatre Laboratory
On 10th December 1948 the General Assembly of the United Nations adopted the Universal Declaration of Human Rights, outlining basic rights of any human being regardless of race, religion, economic status or any other variable, defining the human being with regard to the context, into which he or she is born and/or in which he or she lives. The declaration presents one of the foundations of the society after the Second World War, written with an intention to prevent the horrors that caused the havoc in the world in the first half of the 20th century happening ever again. 70 years later, the time has come to see in what way the Declaration is integrated in the modern society and how well young people know it and understand it.
Kritike
The Rite of Spring, Illustration: Lea Zupančič
Igor Stravinski
Director: Matjaž Farič
A Puppet Rite
The Rite of Spring belongs among the most frequently performed dance pieces. The work is a myth in itself, which it became immediately after its world premiere in Theatre Champs-Élysées in 1913. Even though it blended into the Western perception about the wild and pagan barbarians from the East, it managed to move the boundaries of thinking (as far as both its music and choreography are concerned) beyond mere decorativeness. The stormy reactions that followed its premiere failed to override a significant breakaway from the ruling ballet convention – both in terms of what was believed at that time »of the ball« movement and the use of the orchestra, which in some parts acts like a single rhythm section. The music by Russian composer Igor Stravinsky is so dramatically dynamic and determined that it provokes a feeling of the pagan ritual and violence of nature – the human nature, in particular.
Kritike
The Stones
Šentjakobski oder LGL
Length 55 min
Tom Lycos, Stefo Nantsou
The Stones  12+
Director: Ivica Šimić
Dramatic performance
The Stones is a dramatisation of a real story of two boys, who threw stones from the bridge over a motorway, and as a result killed a driver. It is written as a play for two actors, who act in the roles of the two boys, and the two detectives respectively.
Kritike